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Pagina 11
It is very improbable that in looking at a picture book the child surrenders to a real illusion . For he himself turns the leaves upon which the pictures are imprinted , he himself points at them with his finger , and he feels in doing ...
It is very improbable that in looking at a picture book the child surrenders to a real illusion . For he himself turns the leaves upon which the pictures are imprinted , he himself points at them with his finger , and he feels in doing ...
Pagina 12
In the presence of them he can evolve a purely esthetic illusion , and there is no doubt that most people gain the faculty for conscious self - deception chiefly through the picture book . For through it is offered the first opportunity ...
In the presence of them he can evolve a purely esthetic illusion , and there is no doubt that most people gain the faculty for conscious self - deception chiefly through the picture book . For through it is offered the first opportunity ...
Pagina 224
The danger is to try and make a picture of this effort , apart from any of its achievements , which is really nothing . Then you get the enfeebled ideal , which means the omission of all character and individuality .
The danger is to try and make a picture of this effort , apart from any of its achievements , which is really nothing . Then you get the enfeebled ideal , which means the omission of all character and individuality .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York