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Pagina 11
It is very improbable that in looking at a picture book the child surrenders to a real
illusion . For he himself turns the leaves upon which the pictures are imprinted ,
he himself points at them with his finger , and he feels in doing so that they are ...
It is very improbable that in looking at a picture book the child surrenders to a real
illusion . For he himself turns the leaves upon which the pictures are imprinted ,
he himself points at them with his finger , and he feels in doing so that they are ...
Pagina 224
The danger is to try and make a picture of this effort , apart from any of its
achievements , which is really nothing . Then you get the enfeebled ideal , which
means the omission of all character and individuality . Now let us take a particular
case .
The danger is to try and make a picture of this effort , apart from any of its
achievements , which is really nothing . Then you get the enfeebled ideal , which
means the omission of all character and individuality . Now let us take a particular
case .
Pagina 417
Let us compare a picture in the new manner with one in the manner of 1860. We
will begin , in a simple way , by comparing the objects represented in both of
them , perhaps a man , a house , a mountain . Soon we notice that the artist of
1860 ...
Let us compare a picture in the new manner with one in the manner of 1860. We
will begin , in a simple way , by comparing the objects represented in both of
them , perhaps a man , a house , a mountain . Soon we notice that the artist of
1860 ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |