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Pagina 14
We have said play is in general the wider concept , art and illusion play the
narrower . Not every form of play is art , for not every one of them has the
distinguishing feature of illusion . But every art is a form of play , for art has the
characteristics ...
We have said play is in general the wider concept , art and illusion play the
narrower . Not every form of play is art , for not every one of them has the
distinguishing feature of illusion . But every art is a form of play , for art has the
characteristics ...
Pagina 41
For it is in the spontaneous play of his faculties that man finds himself and his
happiness . Slavery is the most degrading condition of which he is capable , and
he is as often a slave to the niggardliness of the earth and the inclemency of ...
For it is in the spontaneous play of his faculties that man finds himself and his
happiness . Slavery is the most degrading condition of which he is capable , and
he is as often a slave to the niggardliness of the earth and the inclemency of ...
Pagina 130
think that he does not take this world seriously ; on the contrary , he takes his play
very seriously and expends a great deal of emotion on it . The opposite of play is
not serious occupation but - reality . Notwithstanding the large affective ...
think that he does not take this world seriously ; on the contrary , he takes his play
very seriously and expends a great deal of emotion on it . The opposite of play is
not serious occupation but - reality . Notwithstanding the large affective ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |