A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 91
Pagina 14
... play the narrower . Not every form of play is art , for not every one of them has the distinguishing feature of illusion . But every art is a form of play , for art has the characteristics of pleasure value , of disinterestedness ...
... play the narrower . Not every form of play is art , for not every one of them has the distinguishing feature of illusion . But every art is a form of play , for art has the characteristics of pleasure value , of disinterestedness ...
Pagina 41
... play , because they are spontaneous , and not carried on under pressure of external necessity or danger . Their utility for self- preservation may be very indirect and accidental , but they are not worthless for that reason . On the ...
... play , because they are spontaneous , and not carried on under pressure of external necessity or danger . Their utility for self- preservation may be very indirect and accidental , but they are not worthless for that reason . On the ...
Pagina 130
... play very seriously and expends a great deal of emotion on it . The opposite of play is not serious occupation but - reality . Notwithstanding the large affective cathexis 1 of his play - world , the child distinguishes it perfectly ...
... play very seriously and expends a great deal of emotion on it . The opposite of play is not serious occupation but - reality . Notwithstanding the large affective cathexis 1 of his play - world , the child distinguishes it perfectly ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York