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Pagina 14
We have said play is in general the wider concept , art and il- lusion play the narrower . Not every form of play is art , for not every one of them has the distinguishing feature of illusion . But every art is a form of play , for art ...
We have said play is in general the wider concept , art and il- lusion play the narrower . Not every form of play is art , for not every one of them has the distinguishing feature of illusion . But every art is a form of play , for art ...
Pagina 41
At the same time there is an undeniable propriety in calling all the liberal and imaginative activities of man play , because they are spontaneous , and not carried on under pressure of external necessity or danger .
At the same time there is an undeniable propriety in calling all the liberal and imaginative activities of man play , because they are spontaneous , and not carried on under pressure of external necessity or danger .
Pagina 130
1 think that he does not take this world seriously ; on the contrary , he takes his play very seriously and expends a great deal of emotion on it . The opposite of play is not serious occupation but - reality .
1 think that he does not take this world seriously ; on the contrary , he takes his play very seriously and expends a great deal of emotion on it . The opposite of play is not serious occupation but - reality .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |