A Modern Book of Esthetics: An Anthology |
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Pagina 14
We have said play is in general the wider concept, art and illusion play the
narrower. Not every form of play is art, for not every one of them has the
distinguishing feature of illusion. But every art is a form of play, for art has the
characteristics of ...
We have said play is in general the wider concept, art and illusion play the
narrower. Not every form of play is art, for not every one of them has the
distinguishing feature of illusion. But every art is a form of play, for art has the
characteristics of ...
Pagina 41
At the same time there is an undeniable propriety in calling all the liberal and
imaginative activities of man play, because they are spontaneous, and not
carried on under pressure of external necessity or danger. Their utility for self- ...
At the same time there is an undeniable propriety in calling all the liberal and
imaginative activities of man play, because they are spontaneous, and not
carried on under pressure of external necessity or danger. Their utility for self- ...
Pagina 130
think that he does not take this world seriously; on the contrary, he takes his play
very seriously and expends a great deal of emotion on it. The opposite of play is
not serious occupation but— reality. Notwithstanding the large affective cathexis i
...
think that he does not take this world seriously; on the contrary, he takes his play
very seriously and expends a great deal of emotion on it. The opposite of play is
not serious occupation but— reality. Notwithstanding the large affective cathexis i
...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York