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Pagina 42
Esthetic and Physical Pleasure We have now separated with some care intellectual and moral judgments from the sphere of our subject ... All pleasures are intrinsic and positive values , but all pleasures are not perceptions of beauty .
Esthetic and Physical Pleasure We have now separated with some care intellectual and moral judgments from the sphere of our subject ... All pleasures are intrinsic and positive values , but all pleasures are not perceptions of beauty .
Pagina 48
Most of the pleasures which objects cause are easily distinguished and separated from the perception of the object ... The cohesion is therefore slight between the pleasure and the other associated elements of sense ; the pleasure is ...
Most of the pleasures which objects cause are easily distinguished and separated from the perception of the object ... The cohesion is therefore slight between the pleasure and the other associated elements of sense ; the pleasure is ...
Pagina 90
The life of this doctrine has consisted of proposing in turn one or another class of pleasures , or several classes together ( the pleasure of the superior senses , the pleasure of play , of conscious- ness of our own strength ...
The life of this doctrine has consisted of proposing in turn one or another class of pleasures , or several classes together ( the pleasure of the superior senses , the pleasure of play , of conscious- ness of our own strength ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York