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Pagina 42
Esthetic and Physical Pleasure We have now separated with some care intellectual and moral judgments from the sphere of our subject ... All pleasures are intrinsic and positive values , but all pleasures are not perceptions of beauty .
Esthetic and Physical Pleasure We have now separated with some care intellectual and moral judgments from the sphere of our subject ... All pleasures are intrinsic and positive values , but all pleasures are not perceptions of beauty .
Pagina 48
Most of the pleasures which objects cause are easily distinguished and separated from the perception of the object ... The cohesion is therefore slight between the pleasure and the other associated elements of sense ; the pleasure is ...
Most of the pleasures which objects cause are easily distinguished and separated from the perception of the object ... The cohesion is therefore slight between the pleasure and the other associated elements of sense ; the pleasure is ...
Pagina 90
Nevertheless , the doctrine that defines art as the pleasurable has a special denomination ( hedonistic esthetic ) ... especially well received by beginners in esthetic , who are above all struck by the fact that art causes pleasure .
Nevertheless , the doctrine that defines art as the pleasurable has a special denomination ( hedonistic esthetic ) ... especially well received by beginners in esthetic , who are above all struck by the fact that art causes pleasure .
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular pattern perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York