A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 88
Pagina 42
... pleasures are intrinsic and positive values , but all pleasures are not perceptions of beauty . Pleasure is indeed the essence of that perception , but there is evidently in this particular pleasure a complication which is not present ...
... pleasures are intrinsic and positive values , but all pleasures are not perceptions of beauty . Pleasure is indeed the essence of that perception , but there is evidently in this particular pleasure a complication which is not present ...
Pagina 48
... pleasure arises . The cohesion is therefore slight between the pleasure and the other associated elements of sense ; the pleasure is separated in time from the perception , or it is localized in a different organ , and consequently is ...
... pleasure arises . The cohesion is therefore slight between the pleasure and the other associated elements of sense ; the pleasure is separated in time from the perception , or it is localized in a different organ , and consequently is ...
Pagina 90
... pleasure , its distinctive character would be supplied , not by the pleasurable , but by what distinguishes that ... pleasure . The life of this doctrine has consisted of proposing in turn one or another class of pleasures , or several ...
... pleasure , its distinctive character would be supplied , not by the pleasurable , but by what distinguishes that ... pleasure . The life of this doctrine has consisted of proposing in turn one or another class of pleasures , or several ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York