A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 166
... poem's affective organization or emotional attitude to its meaning . Hence the same word has a different affective coloration in one poem from what it has in another , and it is for this reason that a poem is concrete . It is ...
... poem's affective organization or emotional attitude to its meaning . Hence the same word has a different affective coloration in one poem from what it has in another , and it is for this reason that a poem is concrete . It is ...
Pagina 313
... poetic value cannot lie in the subject , but lies entirely in its opposite , the poem . How can the subject determine the value when on one and the same subject poems may be written . of all degrees of merit and demerit ; or when a perfect ...
... poetic value cannot lie in the subject , but lies entirely in its opposite , the poem . How can the subject determine the value when on one and the same subject poems may be written . of all degrees of merit and demerit ; or when a perfect ...
Pagina 318
... poem as Hamlet , it may be necessary from time to time to interrupt the poetic experience , in order to enrich it by forming such a product and dwelling on it . Nor , in a wide sense of ' poetic , ' do I question the poetic value of ...
... poem as Hamlet , it may be necessary from time to time to interrupt the poetic experience , in order to enrich it by forming such a product and dwelling on it . Nor , in a wide sense of ' poetic , ' do I question the poetic value of ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York