A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 166
... poem's affective organization or emotional attitude to its meaning . Hence the same word has a different affective coloration in one poem from what it has in another , and it is for this reason that a poem is concrete . It is ...
... poem's affective organization or emotional attitude to its meaning . Hence the same word has a different affective coloration in one poem from what it has in another , and it is for this reason that a poem is concrete . It is ...
Pagina 312
... poem than I do for a set of nonsense verses ; and I do not be- lieve that the authors of Hamlet and Crossing the Bar regarded their poems thus . " These antitheses of subject , matter , substance on the one side , form , treat- ment ...
... poem than I do for a set of nonsense verses ; and I do not be- lieve that the authors of Hamlet and Crossing the Bar regarded their poems thus . " These antitheses of subject , matter , substance on the one side , form , treat- ment ...
Pagina 318
... poem as Hamlet , it may be necessary from time to time to interrupt the poetic experience , in order to enrich it by forming such a product and dwelling on it . Nor , in a wide sense of ' poetic , ' do I question the poetic value of ...
... poem as Hamlet , it may be necessary from time to time to interrupt the poetic experience , in order to enrich it by forming such a product and dwelling on it . Nor , in a wide sense of ' poetic , ' do I question the poetic value of ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
11 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting pattern perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York