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Pagina 166
The whole forms the specific fused glow which is that poem's affective organization or emotional attitude to its meaning . Hence the same word has a different affective coloration in one poem from what it has in another , and it is for ...
The whole forms the specific fused glow which is that poem's affective organization or emotional attitude to its meaning . Hence the same word has a different affective coloration in one poem from what it has in another , and it is for ...
Pagina 313
This being so , it is surely obvious that the poetic value cannot lie in the subject , but lies entirely in its opposite , the poem . How can the subject determine the value when on one and the same subject poems may be written of all ...
This being so , it is surely obvious that the poetic value cannot lie in the subject , but lies entirely in its opposite , the poem . How can the subject determine the value when on one and the same subject poems may be written of all ...
Pagina 318
Well , I do not dispute , I would even insist , that , in the case of so long a poem as Hamlet , it may be necessary from time to time to interrupt the poetic experience , in order to enrich it by forming such a product and dwelling on ...
Well , I do not dispute , I would even insist , that , in the case of so long a poem as Hamlet , it may be necessary from time to time to interrupt the poetic experience , in order to enrich it by forming such a product and dwelling on ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |