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Pagina 166
The whole forms the specific fused glow which is that poem's affective
organization or emotional attitude to its meaning . Hence the same word has a
different affective coloration in one poem from what it has in another , and it is for
this reason ...
The whole forms the specific fused glow which is that poem's affective
organization or emotional attitude to its meaning . Hence the same word has a
different affective coloration in one poem from what it has in another , and it is for
this reason ...
Pagina 313
This being so , it is surely obvious that the poetic value cannot lie in the subject ,
but lies entirely in its opposite , the poem . How can the subject determine the
value when on one and the same subject poems may be written of all degrees of
...
This being so , it is surely obvious that the poetic value cannot lie in the subject ,
but lies entirely in its opposite , the poem . How can the subject determine the
value when on one and the same subject poems may be written of all degrees of
...
Pagina 314
And he does not prove his point by observing that a good poem might be written
on a pin ' s head , and a bad one on the Fall of Man . That truth shows that the
subject settles nothing , but not that it counts for nothing . The Fall of Man is really
a ...
And he does not prove his point by observing that a good poem might be written
on a pin ' s head , and a bad one on the Fall of Man . That truth shows that the
subject settles nothing , but not that it counts for nothing . The Fall of Man is really
a ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |