A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 81
Pagina 86
... poet . We find some of the great poets have lived a retiring , homely sort of life , without having a chance of witnessing around them an outburst of the passions they have so faithfully depicted . But , supposing even they had ...
... poet . We find some of the great poets have lived a retiring , homely sort of life , without having a chance of witnessing around them an outburst of the passions they have so faithfully depicted . But , supposing even they had ...
Pagina 146
... poets encourage this interpretation in order to put a wholesome distance between themselves and their work . Spitteler , for example , stoutly maintained that it was one and the same whether the poet sang of an Olympian Spring or to the ...
... poets encourage this interpretation in order to put a wholesome distance between themselves and their work . Spitteler , for example , stoutly maintained that it was one and the same whether the poet sang of an Olympian Spring or to the ...
Pagina 487
... poetic imitations in iambic , elegiac , or any similar meter . People do , indeed , add the word “ maker " or " poet " to the name of the meter , and speak of elegiac poets , or epic ( that is , hexameter ) poets , as if it were not the ...
... poetic imitations in iambic , elegiac , or any similar meter . People do , indeed , add the word “ maker " or " poet " to the name of the meter , and speak of elegiac poets , or epic ( that is , hexameter ) poets , as if it were not the ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York