A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 81
Pagina 86
... poetic imagination . Of course , Shakespeare was neither Macbeth , nor Hamlet , nor Othello ; still , he might have been these several characters if the circumstances of the case on the one hand , and the consent of his will on the ...
... poetic imagination . Of course , Shakespeare was neither Macbeth , nor Hamlet , nor Othello ; still , he might have been these several characters if the circumstances of the case on the one hand , and the consent of his will on the ...
Pagina 154
... poet's world is his world . As he reads the poem he feels the emotions of the poet . Just as the pythoness or bacchante speaks for the god in the first person , so the reader under the influence of poetic illusion feels for the poet in ...
... poet's world is his world . As he reads the poem he feels the emotions of the poet . Just as the pythoness or bacchante speaks for the god in the first person , so the reader under the influence of poetic illusion feels for the poet in ...
Pagina 318
... poetic experience , in order to enrich it by forming such a product and dwelling on it . Nor , in a wide sense of ' poetic , ' do I question the poetic value of this product , as you think of it apart from the poem . It resembles our ...
... poetic experience , in order to enrich it by forming such a product and dwelling on it . Nor , in a wide sense of ' poetic , ' do I question the poetic value of this product , as you think of it apart from the poem . It resembles our ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting pattern perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York