A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 78
Pagina 154
... Poetic associations are social . As the dreamer lives entirely in the images of his dream , without reference to another reality , so the reader of poetry lives in the words of the poetry , with- out reference to the external world . The ...
... Poetic associations are social . As the dreamer lives entirely in the images of his dream , without reference to another reality , so the reader of poetry lives in the words of the poetry , with- out reference to the external world . The ...
Pagina 159
... poetry are correspondingly condensed , but poetry itself is correspondingly cloudy and ambiguous . This ambiguity , which Empson takes to be the essence of poetry , is in fact a by - product.2 Now this concentration upon the affective ...
... poetry are correspondingly condensed , but poetry itself is correspondingly cloudy and ambiguous . This ambiguity , which Empson takes to be the essence of poetry , is in fact a by - product.2 Now this concentration upon the affective ...
Pagina 270
... Poetry The future of poetry is immense , because in poetry , where it is worthy of its high destinies , our race , as time goes on , will find an ever surer and surer stay . There is not a creed which is not shaken , not an accredited ...
... Poetry The future of poetry is immense , because in poetry , where it is worthy of its high destinies , our race , as time goes on , will find an ever surer and surer stay . There is not a creed which is not shaken , not an accredited ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting pattern perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York