A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 78
Pagina 154
... Poetic associations are social . As the dreamer lives entirely in the images of his dream , without reference to another reality , so the reader of poetry lives in the words of the poetry , with- out reference to the external world . The ...
... Poetic associations are social . As the dreamer lives entirely in the images of his dream , without reference to another reality , so the reader of poetry lives in the words of the poetry , with- out reference to the external world . The ...
Pagina 159
... poetry are correspondingly condensed , but poetry itself is correspondingly cloudy and ambiguous . This ambiguity , which Empson takes to be the essence of poetry , is in fact a by - product.2 Now this concentration upon the affective ...
... poetry are correspondingly condensed , but poetry itself is correspondingly cloudy and ambiguous . This ambiguity , which Empson takes to be the essence of poetry , is in fact a by - product.2 Now this concentration upon the affective ...
Pagina 164
... poetry to play with words , to pun openly or secretly , to delight in the texture of words . This is part of the technique of poetry which treats words anti - grammatically to realize their immediate and even contradic- tory affective ...
... poetry to play with words , to pun openly or secretly , to delight in the texture of words . This is part of the technique of poetry which treats words anti - grammatically to realize their immediate and even contradic- tory affective ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York