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Pagina 113
But he has not yet got color and form on canvas , he has not translated the actual fields and trees into symbols and , however experienced he is , he does not know exactly how to get the effect he wants , or even if it is possible ...
But he has not yet got color and form on canvas , he has not translated the actual fields and trees into symbols and , however experienced he is , he does not know exactly how to get the effect he wants , or even if it is possible ...
Pagina 444
What [ the artist ] puts into his work is a selection made from an indefinitely large number of possible elements , and their specific arrangement is also only one of many possible . This selection and arrangement is due to the ...
What [ the artist ] puts into his work is a selection made from an indefinitely large number of possible elements , and their specific arrangement is also only one of many possible . This selection and arrangement is due to the ...
Pagina 494
But tragedians still keep to real names , the reason being that what is possible is credible : what has not happened we do not at once feel sure to be possible : but what has happened is manifestly possible : otherwise it would not have ...
But tragedians still keep to real names , the reason being that what is possible is credible : what has not happened we do not at once feel sure to be possible : but what has happened is manifestly possible : otherwise it would not have ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York