A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 77
Pagina 113
... possible within the limits of his material . He proceeds by trial and error . Watch him at work . He is not only uncertain of the exact effect of separate touches , he is still more uncertain of the result of their contrast and ...
... possible within the limits of his material . He proceeds by trial and error . Watch him at work . He is not only uncertain of the exact effect of separate touches , he is still more uncertain of the result of their contrast and ...
Pagina 444
... possible elements , and their specific arrangement is also only one of many possible . This selection and arrangement is due to the direction and accentuation of his interest - in other words to the play of impulses which con- trols his ...
... possible elements , and their specific arrangement is also only one of many possible . This selection and arrangement is due to the direction and accentuation of his interest - in other words to the play of impulses which con- trols his ...
Pagina 494
... possible : but what has happened is manifestly possible : otherwise it would not have happened . Still there are even some tragedies in which there are only one or two well - known names , the rest being fictitious . In others , none ...
... possible : but what has happened is manifestly possible : otherwise it would not have happened . Still there are even some tragedies in which there are only one or two well - known names , the rest being fictitious . In others , none ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
13 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York