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Pagina 113
But he has not yet got color and form on canvas , he has not translated the actual fields and trees into symbols and , however experienced he is , he does not know exactly how to get the effect he wants , or even if it is possible ...
But he has not yet got color and form on canvas , he has not translated the actual fields and trees into symbols and , however experienced he is , he does not know exactly how to get the effect he wants , or even if it is possible ...
Pagina 444
What [ the artist ] puts into his work is a selection made from an indefinitely large number of possible elements , and their specific arrangement is also only one of many possible . This selection and arrangement is due to the ...
What [ the artist ] puts into his work is a selection made from an indefinitely large number of possible elements , and their specific arrangement is also only one of many possible . This selection and arrangement is due to the ...
Pagina 494
But tragedians still keep to real names , the reason being that what is possible is credible : what has not happened we do not at once feel sure to be possible : but what has happened is manifestly possible : otherwise it would not have ...
But tragedians still keep to real names , the reason being that what is possible is credible : what has not happened we do not at once feel sure to be possible : but what has happened is manifestly possible : otherwise it would not have ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |