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Pagina 157
... possible to the extent that he has had some similar experience in life . The
former process will be revolutionary ; the latter adaptative . Rather than use the
word revolutionary , however , it would be better to use the word evolutionary ...
... possible to the extent that he has had some similar experience in life . The
former process will be revolutionary ; the latter adaptative . Rather than use the
word revolutionary , however , it would be better to use the word evolutionary ...
Pagina 256
The elements in a work are always newly created with the total image , and
although it is possible to analyze what they contribute to the image , it is not
possible to assign them any of its import apart from the whole . That is
characteristic of ...
The elements in a work are always newly created with the total image , and
although it is possible to analyze what they contribute to the image , it is not
possible to assign them any of its import apart from the whole . That is
characteristic of ...
Pagina 444
What [ the artist ) puts into his work is a selection made from an indefinitely large
number of possible elements , and their specific arrangement is also only one of
many possible . This selection and arrangement is due to the direction and ...
What [ the artist ) puts into his work is a selection made from an indefinitely large
number of possible elements , and their specific arrangement is also only one of
many possible . This selection and arrangement is due to the direction and ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |