A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 65
Pagina 78
... practical purposes . If the individuality of the thing eludes him , he nevertheless has distinguished the features that make the object an instrument for his use . Since man's primary need is not knowledge but action , intellect has ...
... practical purposes . If the individuality of the thing eludes him , he nevertheless has distinguished the features that make the object an instrument for his use . Since man's primary need is not knowledge but action , intellect has ...
Pagina 396
... practical sides of things and of our practical attitude to them — and a positive side — the elaboration of the experience on the new basis created by the inhibitory action of Distance . 2. Consequently , this distanced view of things is ...
... practical sides of things and of our practical attitude to them — and a positive side — the elaboration of the experience on the new basis created by the inhibitory action of Distance . 2. Consequently , this distanced view of things is ...
Pagina 441
... practical mastery of the world for the outer achievements ; we had to know what causes were connected with what effects . No other kind of truth can help us for this end ; what can be the use of sinking with our mind into an isolated ...
... practical mastery of the world for the outer achievements ; we had to know what causes were connected with what effects . No other kind of truth can help us for this end ; what can be the use of sinking with our mind into an isolated ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York