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Pagina 97
... heap of images put together in play or intentionally or for some other practical purpose , the connection of which , being practical , shows itself to be not organic , but mechanic , when considered from the esthetic point of view .
... heap of images put together in play or intentionally or for some other practical purpose , the connection of which , being practical , shows itself to be not organic , but mechanic , when considered from the esthetic point of view .
Pagina 396
It has a negative , inhibitory aspect - the cutting - out of the practical sides of things and of our practical attitude to them - and a positive side - the elaboration of the experience on the new basis created by the inhibitory action ...
It has a negative , inhibitory aspect - the cutting - out of the practical sides of things and of our practical attitude to them - and a positive side - the elaboration of the experience on the new basis created by the inhibitory action ...
Pagina 441
The purpose for which we looked out in scientific knowledge was practical mastery of the world for the outer achievements ; we had to know what causes were connected with what effects . No other kind of truth can help us for this end ...
The purpose for which we looked out in scientific knowledge was practical mastery of the world for the outer achievements ; we had to know what causes were connected with what effects . No other kind of truth can help us for this end ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |