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Pagina 78
This generalized description and awareness of the object is sufficient for practical
purposes . If the individuality of the thing eludes him , he nevertheless has
distinguished the features that make the object an instrument for his use . Since
man's ...
This generalized description and awareness of the object is sufficient for practical
purposes . If the individuality of the thing eludes him , he nevertheless has
distinguished the features that make the object an instrument for his use . Since
man's ...
Pagina 97
... which is a heap of images put together in play or intentionally or for some other
practical purpose , the connection of which , being practical , shows itself to be
not organic , but mechanic , when considered from the esthetic point of view .
... which is a heap of images put together in play or intentionally or for some other
practical purpose , the connection of which , being practical , shows itself to be
not organic , but mechanic , when considered from the esthetic point of view .
Pagina 441
The purpose for which we looked out in scientific knowledge was practical
mastery of the world for the outer achievements ; we had to know what causes
were connected with what effects . No other kind of truth can help us for this end ;
what ...
The purpose for which we looked out in scientific knowledge was practical
mastery of the world for the outer achievements ; we had to know what causes
were connected with what effects . No other kind of truth can help us for this end ;
what ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |