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Pagina 132
So past , present , and future are threaded , as it were , on the string of the wish that runs through them all . A very ordinary example may serve to make my statement clear . Take the case of a poor orphan lad , to whom you have given ...
So past , present , and future are threaded , as it were , on the string of the wish that runs through them all . A very ordinary example may serve to make my statement clear . Take the case of a poor orphan lad , to whom you have given ...
Pagina 294
If this be admitted we may , for our present purposes , divide musical compositions into three classes . We may admit that , so far as our present analysis penetrates , there are compositions which exist in isolation .
If this be admitted we may , for our present purposes , divide musical compositions into three classes . We may admit that , so far as our present analysis penetrates , there are compositions which exist in isolation .
Pagina 372
But it is far more than the idea merely of that lifting or raising which we are doing at this particular present moment and in connection with this particular mountain . That present and particular raising and lifting is merely the ...
But it is far more than the idea merely of that lifting or raising which we are doing at this particular present moment and in connection with this particular mountain . That present and particular raising and lifting is merely the ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |