A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 81
Pagina 132
... present , which had the power to rouse an intense desire . From there it wanders back to the memory of an early experience , generally belonging to infancy , in which this wish was fulfilled . Then it creates for itself a situation ...
... present , which had the power to rouse an intense desire . From there it wanders back to the memory of an early experience , generally belonging to infancy , in which this wish was fulfilled . Then it creates for itself a situation ...
Pagina 294
... present purposes , divide musical com- positions into three classes . We may admit that , so far as our present analysis penetrates , there are compositions which exist in isolation . Secondly , there are compositions which spring from ...
... present purposes , divide musical com- positions into three classes . We may admit that , so far as our present analysis penetrates , there are compositions which exist in isolation . Secondly , there are compositions which spring from ...
Pagina 372
... present moment and in connection with this particular mountain . That present and particular raising and lifting is merely the nucleus to which gravitates our remembrance of all similar acts of raising , or rising which we have ever ...
... present moment and in connection with this particular mountain . That present and particular raising and lifting is merely the nucleus to which gravitates our remembrance of all similar acts of raising , or rising which we have ever ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York