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Pagina 132
So past , present , and future are threaded , as it were , on the string of the wish that runs through them all . A very ordinary example may serve to make my statement clear . Take the case of a poor orphan lad , to whom you have given ...
So past , present , and future are threaded , as it were , on the string of the wish that runs through them all . A very ordinary example may serve to make my statement clear . Take the case of a poor orphan lad , to whom you have given ...
Pagina 294
If this be admitted we may , for our present purposes , divide musical compositions into three classes . We may admit that , so far as our present analysis penetrates , there are compositions which exist in isolation .
If this be admitted we may , for our present purposes , divide musical compositions into three classes . We may admit that , so far as our present analysis penetrates , there are compositions which exist in isolation .
Pagina 372
But it is far more than the idea merely of that lifting or raising which we are doing at this particular present moment and in connection with this particular mountain . That present and particular raising and lifting is merely the ...
But it is far more than the idea merely of that lifting or raising which we are doing at this particular present moment and in connection with this particular mountain . That present and particular raising and lifting is merely the ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York