A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 75
Pagina 257
... principle of construction - a device , in the most general sense of that word , " device . " But there is a difference , often missed by theorists , between principles of construction and principles of art . The principles of art are ...
... principle of construction - a device , in the most general sense of that word , " device . " But there is a difference , often missed by theorists , between principles of construction and principles of art . The principles of art are ...
Pagina 323
... principles are , I think , very few ; as few , indeed , as six : the principle of organic unity , or unity in variety , as it has been called ; the principle of the theme ; the principle of thematic variation ; balance ; the principle ...
... principles are , I think , very few ; as few , indeed , as six : the principle of organic unity , or unity in variety , as it has been called ; the principle of the theme ; the principle of thematic variation ; balance ; the principle ...
Pagina 454
... principle of art ; when we illustrate this principle by examples , whose operation , from his own particular taste , he acknowledges to be conformable to the principle ; when we prove that the same principle may be applied to the ...
... principle of art ; when we illustrate this principle by examples , whose operation , from his own particular taste , he acknowledges to be conformable to the principle ; when we prove that the same principle may be applied to the ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting pattern perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York