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Pagina 323
These principles are , I think , very few ; as few , indeed , as six : the principle of organic unity , or unity in variety , as it has been called ; the principle of the theme ; the principle of thematic variation ; balance ...
These principles are , I think , very few ; as few , indeed , as six : the principle of organic unity , or unity in variety , as it has been called ; the principle of the theme ; the principle of thematic variation ; balance ...
Pagina 351
I have dwelt a moment on these examples of expression and of beauty that I may draw from them a principle in art , a principle which , if it has been often illustrated by brilliant results , we constantly see neglected , overlooked ...
I have dwelt a moment on these examples of expression and of beauty that I may draw from them a principle in art , a principle which , if it has been often illustrated by brilliant results , we constantly see neglected , overlooked ...
Pagina 454
In like manner , though the beauties of writing had never been methodized , or reduced to general principles ; though ... But when we show him an avowed principle of art ; when we illustrate this principle by examples , whose operation ...
In like manner , though the beauties of writing had never been methodized , or reduced to general principles ; though ... But when we show him an avowed principle of art ; when we illustrate this principle by examples , whose operation ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York