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Pagina 323
These principles are , I think , very few ; as few , indeed , as six : the principle of
organic unity , or unity in variety , as it has been ... I do not assert that there are no
more principles , but I at least have been unable to find any of equal generality .
These principles are , I think , very few ; as few , indeed , as six : the principle of
organic unity , or unity in variety , as it has been ... I do not assert that there are no
more principles , but I at least have been unable to find any of equal generality .
Pagina 361
This principle is of course not unknown in other phases of art : but the point is that
in mechanical forms it is at all times a ... Toward the working out of this principle ,
our mechanical habits and our unconscious impulses have been tending ...
This principle is of course not unknown in other phases of art : but the point is that
in mechanical forms it is at all times a ... Toward the working out of this principle ,
our mechanical habits and our unconscious impulses have been tending ...
Pagina 454
In like manner , though the beauties of writing had never been methodized , or
reduced to general principles ; though no ... But when we show him an avowed
principle of art ; when we illustrate this principle by examples , whose operation ...
In like manner , though the beauties of writing had never been methodized , or
reduced to general principles ; though no ... But when we show him an avowed
principle of art ; when we illustrate this principle by examples , whose operation ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |