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Pagina 404
Whistler indeed said that to produce Art by imitating nature would be like trying to produce music by sitting upon piano , but the selective , idealizing imitation of nature finds merely another support in such a saying .
Whistler indeed said that to produce Art by imitating nature would be like trying to produce music by sitting upon piano , but the selective , idealizing imitation of nature finds merely another support in such a saying .
Pagina 445
When works of art produce such action , or conditions which lead to action , they have either not completely fulfilled their function or would in the view of equilibrium here being considered be called not " beautiful ” but ...
When works of art produce such action , or conditions which lead to action , they have either not completely fulfilled their function or would in the view of equilibrium here being considered be called not " beautiful ” but ...
Pagina 495
Recognition , as the name indicates , is a change from ignorance to knowledge , producing love or hate between the persons ... This recognition , combined with Reversal , will produce either pity or fear ; and actions producing these ...
Recognition , as the name indicates , is a change from ignorance to knowledge , producing love or hate between the persons ... This recognition , combined with Reversal , will produce either pity or fear ; and actions producing these ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular pattern perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |