Dall'interno del libro
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Pagina 182
the perceived results is of such a nature that its qualities as perceived have
controlled the question of production . The act of producing that is directed by
intent to produce something that is enjoyed in the immediate experience of
perceiving ...
the perceived results is of such a nature that its qualities as perceived have
controlled the question of production . The act of producing that is directed by
intent to produce something that is enjoyed in the immediate experience of
perceiving ...
Pagina 404
Whistler indeed said that to produce Art by imitating nature would be like trying to
produce music by sitting upon piano , but the selective , idealizing imitation of
nature finds merely another support in such a saying . Naturalism , pleinairism ...
Whistler indeed said that to produce Art by imitating nature would be like trying to
produce music by sitting upon piano , but the selective , idealizing imitation of
nature finds merely another support in such a saying . Naturalism , pleinairism ...
Pagina 445
When works of art produce such action , or conditions which lead to action , they
have either not completely fulfilled their function or would in the view of
equilibrium here being considered be called not " beautiful ” but " stimulative . " 2
As we ...
When works of art produce such action , or conditions which lead to action , they
have either not completely fulfilled their function or would in the view of
equilibrium here being considered be called not " beautiful ” but " stimulative . " 2
As we ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |