A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 78
Pagina 404
... produce Art by imitating nature would be like trying to produce music by sitting upon the piano , but the selective , idealizing imitation of nature finds merely another sup- port in such a saying . Naturalism , pleinairism ...
... produce Art by imitating nature would be like trying to produce music by sitting upon the piano , but the selective , idealizing imitation of nature finds merely another sup- port in such a saying . Naturalism , pleinairism ...
Pagina 445
... produce such action , or conditions which lead to action , they have either not completely fulfilled their function or would in the view of equilibrium here being considered be called not " beautiful " but " stimulative . " 2 As we ...
... produce such action , or conditions which lead to action , they have either not completely fulfilled their function or would in the view of equilibrium here being considered be called not " beautiful " but " stimulative . " 2 As we ...
Pagina 504
... produce the most vivid of pleasures . Further , it has vividness of im- pression in reading as well as in representation . Moreover , the art attains its end within narrower limits ; for the concentrated effect is more pleasurable than ...
... produce the most vivid of pleasures . Further , it has vividness of im- pression in reading as well as in representation . Moreover , the art attains its end within narrower limits ; for the concentrated effect is more pleasurable than ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York