A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 6
Pagina 294
... music than of poetry that it must be essentially meaningless . If , therefore , we find that some compositions ... program music . Of these classes the second is the most important . In our reactions to compositions belonging to the ...
... music than of poetry that it must be essentially meaningless . If , therefore , we find that some compositions ... program music . Of these classes the second is the most important . In our reactions to compositions belonging to the ...
Pagina 297
... music ) is in any sense program music is due to their feeling that any proposed " situation " is not only inadequate but even irrelevant . In denying the adequacy of any proposed situation to the musical effect they have been led to the ...
... music ) is in any sense program music is due to their feeling that any proposed " situation " is not only inadequate but even irrelevant . In denying the adequacy of any proposed situation to the musical effect they have been led to the ...
Pagina 299
... music we have been discussing is to communicate valuable spiritual states , and these states testify to the depth of the artist's nature and to the quality of his experience of life . Such states ... program music . J. W. N. SULLIVAN · 299.
... music we have been discussing is to communicate valuable spiritual states , and these states testify to the depth of the artist's nature and to the quality of his experience of life . Such states ... program music . J. W. N. SULLIVAN · 299.
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York