A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 52
Pagina 141
... psychologist . For instance , the so - called " psychological novel " is by no means as rewarding for the psychologist as the literary - minded suppose . Considered as a whole , such a novel explains itself . It has done its own work of ...
... psychologist . For instance , the so - called " psychological novel " is by no means as rewarding for the psychologist as the literary - minded suppose . Considered as a whole , such a novel explains itself . It has done its own work of ...
Pagina 142
... psychological exposition is just what interests the psychologist most of all . Such a tale is built upon a groundwork of implicit psychological assumptions , and , in the measure that the author is un- conscious of them , they reveal ...
... psychological exposition is just what interests the psychologist most of all . Such a tale is built upon a groundwork of implicit psychological assumptions , and , in the measure that the author is un- conscious of them , they reveal ...
Pagina 385
... psychologically explained only as we think of an art which , arising from psychological needs , satisfies psycho- logical needs .... The worth of an art - work , which we call its beauty , lies generally speaking in its values as a ...
... psychologically explained only as we think of an art which , arising from psychological needs , satisfies psycho- logical needs .... The worth of an art - work , which we call its beauty , lies generally speaking in its values as a ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York