A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 61
Pagina 93
... pure examples of these errors in any of these authors and in the others that might be mentioned , because error is never pure , for if it were so , it would be truth .... But doubt springs up at the feet of truth , “ like a young shoot ...
... pure examples of these errors in any of these authors and in the others that might be mentioned , because error is never pure , for if it were so , it would be truth .... But doubt springs up at the feet of truth , “ like a young shoot ...
Pagina 198
... pure green to be understood as a sample of all that is greenish and not as a sample of pure green - this in turn resides in the way the samples are used . Ask yourself what shape must the sample of the color green be ? Should it be ...
... pure green to be understood as a sample of all that is greenish and not as a sample of pure green - this in turn resides in the way the samples are used . Ask yourself what shape must the sample of the color green be ? Should it be ...
Pagina 231
... pure light variations ( which may be thought of as mixtures of pure saturated hues with white ) run upward to white itself on the surface of the upper cone ; and the pure dark variations ( which may be thought of as saturated hues mixed ...
... pure light variations ( which may be thought of as mixtures of pure saturated hues with white ) run upward to white itself on the surface of the upper cone ; and the pure dark variations ( which may be thought of as saturated hues mixed ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York