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Pagina 93
But it would be vain to seek pure examples of these errors in any of these authors and in the others that might be mentioned , because error is never pure , for if it were so , it would be truth .... But doubt springs up at the feet of ...
But it would be vain to seek pure examples of these errors in any of these authors and in the others that might be mentioned , because error is never pure , for if it were so , it would be truth .... But doubt springs up at the feet of ...
Pagina 198
Say a schematic leaf , or a sample of pure green ? " - Certainly there might . But for such a schema to be understood as a schema , and not as the shape of a particular leaf , and for a slip of pure green to be understood as a sample of ...
Say a schematic leaf , or a sample of pure green ? " - Certainly there might . But for such a schema to be understood as a schema , and not as the shape of a particular leaf , and for a slip of pure green to be understood as a sample of ...
Pagina 231
... the pure light variations ( which may be thought of as mixtures of pure saturated hues with white ) run upward to white itself on the surface of the upper cone ; and the pure dark variations ( which may be thought of as saturated ...
... the pure light variations ( which may be thought of as mixtures of pure saturated hues with white ) run upward to white itself on the surface of the upper cone ; and the pure dark variations ( which may be thought of as saturated ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |