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Pagina 93
But it would be vain to seek pure examples of these errors in any of these authors and in the others that might be mentioned , because error is never pure , for if it were so , it would be truth .... But doubt springs up at the feet of ...
But it would be vain to seek pure examples of these errors in any of these authors and in the others that might be mentioned , because error is never pure , for if it were so , it would be truth .... But doubt springs up at the feet of ...
Pagina 198
Say a schematic leaf , or a sample of pure green ? " - Certainly there might . But for such a schema to be understood as a schema , and not as the shape of a particular leaf , and for a slip of pure green to be understood as a sample of ...
Say a schematic leaf , or a sample of pure green ? " - Certainly there might . But for such a schema to be understood as a schema , and not as the shape of a particular leaf , and for a slip of pure green to be understood as a sample of ...
Pagina 231
... the pure light variations ( which may be thought of as mixtures of pure saturated hues with white ) run upward to white itself on the surface of the upper cone ; and the pure dark variations ( which may be thought of as saturated ...
... the pure light variations ( which may be thought of as mixtures of pure saturated hues with white ) run upward to white itself on the surface of the upper cone ; and the pure dark variations ( which may be thought of as saturated ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |