A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 61
Pagina 93
... pure examples of these errors in any of these authors and in the others that might be mentioned , because error is never pure , for if it were so , it would be truth . . . . But doubt springs up at the feet of truth , " like a young ...
... pure examples of these errors in any of these authors and in the others that might be mentioned , because error is never pure , for if it were so , it would be truth . . . . But doubt springs up at the feet of truth , " like a young ...
Pagina 198
... pure green to be understood as a sample of all that is greenish and not as a sample of pure green - this in turn resides in the way the samples are used . Ask yourself what shape must the sample of the color green be ? Should it be ...
... pure green to be understood as a sample of all that is greenish and not as a sample of pure green - this in turn resides in the way the samples are used . Ask yourself what shape must the sample of the color green be ? Should it be ...
Pagina 304
... Pure and Impure Art There is such a thing as impure or useful science , and , if you were to analyze that activity , you would find all sorts of biological motives at work , al- though the fundamental truth - seeking passion of pure ...
... Pure and Impure Art There is such a thing as impure or useful science , and , if you were to analyze that activity , you would find all sorts of biological motives at work , al- though the fundamental truth - seeking passion of pure ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York