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Pagina 93
But it would be vain to seek pure examples of these errors in any of these authors
and in the others that might be mentioned , because error is never pure , for if it
were so , it would be truth . ... But doubt springs up at the feet of truth , " like a ...
But it would be vain to seek pure examples of these errors in any of these authors
and in the others that might be mentioned , because error is never pure , for if it
were so , it would be truth . ... But doubt springs up at the feet of truth , " like a ...
Pagina 198
Say a schematic leaf , or a sample of pure green ? " - Certainly there might . But
for such a schema to be understood as a schema , and not as the shape of a
particular leaf , and for a slip of pure green to be understood as a sample of all
that is ...
Say a schematic leaf , or a sample of pure green ? " - Certainly there might . But
for such a schema to be understood as a schema , and not as the shape of a
particular leaf , and for a slip of pure green to be understood as a sample of all
that is ...
Pagina 304
ROGER FRY Pure and Impure Art There is such a thing as impure or useful
science , and , if you were to analyze that activity , you would find all sorts of
biological motives at work , although the fundamental truth - seeking passion of
pure ...
ROGER FRY Pure and Impure Art There is such a thing as impure or useful
science , and , if you were to analyze that activity , you would find all sorts of
biological motives at work , although the fundamental truth - seeking passion of
pure ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |