A Modern Book of Esthetics: An Anthology |
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Pagina 93
But it would be vain to seek pure examples of these errors in any of these authors
and in the others that might be mentioned, because error is never pure, for if it
were so, it would be truth. . . . But doubt springs up at the feet of truth, "like a
young ...
But it would be vain to seek pure examples of these errors in any of these authors
and in the others that might be mentioned, because error is never pure, for if it
were so, it would be truth. . . . But doubt springs up at the feet of truth, "like a
young ...
Pagina 198
Say a schematic leaf, or a sample of pure green?"— Certainly there might. But for
such a schema to be understood as a schema, and not as the shape of a
particular leaf, and for a slip of pure green to be understood as a sample of all
that is ...
Say a schematic leaf, or a sample of pure green?"— Certainly there might. But for
such a schema to be understood as a schema, and not as the shape of a
particular leaf, and for a slip of pure green to be understood as a sample of all
that is ...
Pagina 304
There is such a thing as impure or useful science, and, if you were to analyze that
activity, you would f1nd all sorts of biological motives at work, although the
fundamental truth-seeking passion of pure science is distinguished precisely by
its ...
There is such a thing as impure or useful science, and, if you were to analyze that
activity, you would f1nd all sorts of biological motives at work, although the
fundamental truth-seeking passion of pure science is distinguished precisely by
its ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York