Dall'interno del libro
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Pagina 222
The simple answer to this question takes us , I believe , to the precise root and source of the whole principle of esthetic expressiveness . . We should begin , I am convinced , from the very simplest facts .
The simple answer to this question takes us , I believe , to the precise root and source of the whole principle of esthetic expressiveness . . We should begin , I am convinced , from the very simplest facts .
Pagina 274
It can never answer any question of the form : What is so and so ? it can only tell us how such and such behave . ... with " How " -prove , when we examine them , to be not questions at all ; but requests - for emotional satisfaction .
It can never answer any question of the form : What is so and so ? it can only tell us how such and such behave . ... with " How " -prove , when we examine them , to be not questions at all ; but requests - for emotional satisfaction .
Pagina 317
If substance and form mean anything in the poem , then each is involved in the other , and the question in which of them the value lies has no sense . No doubt you may say , speaking loosely , that in this poet or poem the aspect of ...
If substance and form mean anything in the poem , then each is involved in the other , and the question in which of them the value lies has no sense . No doubt you may say , speaking loosely , that in this poet or poem the aspect of ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |