A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 222
... question takes us , I believe , to the precise root and source of the whole principle of esthetic expres- siveness . We should begin , I am convinced , from the very simplest facts . Why do artists make different patterns , or treat the ...
... question takes us , I believe , to the precise root and source of the whole principle of esthetic expres- siveness . We should begin , I am convinced , from the very simplest facts . Why do artists make different patterns , or treat the ...
Pagina 274
... questions ; they do not belong to its province . Nor can philosophy or religion " answer " them in the sense in which science has taught us to expect answers to its questions . As the senses of " question " shift , so do those of ...
... questions ; they do not belong to its province . Nor can philosophy or religion " answer " them in the sense in which science has taught us to expect answers to its questions . As the senses of " question " shift , so do those of ...
Pagina 317
... question of value is touched by them . And apart from that question , of course , I am not denying the usefulness and necessity of the distinction . We cannot dispense with it . To consider separately the action or the characters of a ...
... question of value is touched by them . And apart from that question , of course , I am not denying the usefulness and necessity of the distinction . We cannot dispense with it . To consider separately the action or the characters of a ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York