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Pagina 222
The simple answer to this question takes us , I believe , to the precise root and
source of the whole principle of esthetic expressiveness . We should begin , I am
convinced , from the very simplest facts . Why do artists make different patterns ,
or ...
The simple answer to this question takes us , I believe , to the precise root and
source of the whole principle of esthetic expressiveness . We should begin , I am
convinced , from the very simplest facts . Why do artists make different patterns ,
or ...
Pagina 315
And this question we are compelled to raise , because we have to deal with the
two contentions that the poetic value lies wholly or mainly in the substance , and
that it lies wholly or mainly in the form . Now these contentions , whether false or ...
And this question we are compelled to raise , because we have to deal with the
two contentions that the poetic value lies wholly or mainly in the substance , and
that it lies wholly or mainly in the form . Now these contentions , whether false or ...
Pagina 317
If substance and form mean anything in the poem , then each is involved in the
other , and the question in which of them the value lies has no sense . No doubt
you may say , speaking loosely , that in this poet or poem the aspect of substance
...
If substance and form mean anything in the poem , then each is involved in the
other , and the question in which of them the value lies has no sense . No doubt
you may say , speaking loosely , that in this poet or poem the aspect of substance
...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |