A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 87
Pagina 155
... reality of which the words are symbols . Ordinarily we see , hovering behind language , the world of external reality it describes . But in poetry the thoughts are to be directed on to the feelingtone of the words themselves . Attention ...
... reality of which the words are symbols . Ordinarily we see , hovering behind language , the world of external reality it describes . But in poetry the thoughts are to be directed on to the feelingtone of the words themselves . Attention ...
Pagina 164
... reality , and then derives the emotional content from this piece of reality and its active relation with the other pieces of reality in the story as part of a perceptual lifeexperience . When we read a line of poetry these other ideas ...
... reality , and then derives the emotional content from this piece of reality and its active relation with the other pieces of reality in the story as part of a perceptual lifeexperience . When we read a line of poetry these other ideas ...
Pagina 166
... reality . A poem's content is not just emotion , it is organized emotion , an organized emotional attitude to a piece of external reality . Hence its value - and difficulty - as compared with other emotions , however strong , but ...
... reality . A poem's content is not just emotion , it is organized emotion , an organized emotional attitude to a piece of external reality . Hence its value - and difficulty - as compared with other emotions , however strong , but ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York