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Pagina 155
In introversion for scientific phantasy it is true that we turn away from immediate environment , yet none the less we turn towards those parts of external reality of which the words are symbols . Ordinarily we see , hovering behind ...
In introversion for scientific phantasy it is true that we turn away from immediate environment , yet none the less we turn towards those parts of external reality of which the words are symbols . Ordinarily we see , hovering behind ...
Pagina 164
The novel uses words grammatically so as sharply to exclude all meanings and therefore all affective tones , except one clear piece of reality , and then derives the emotional content from this piece of reality and its active relation ...
The novel uses words grammatically so as sharply to exclude all meanings and therefore all affective tones , except one clear piece of reality , and then derives the emotional content from this piece of reality and its active relation ...
Pagina 166
In this way the emotional content does not float about fluidly in the mind ; it is firmly attached , by a hundred interweaving strands , to the manifest content - a piece of external reality . A poem's content is not just emotion ...
In this way the emotional content does not float about fluidly in the mind ; it is firmly attached , by a hundred interweaving strands , to the manifest content - a piece of external reality . A poem's content is not just emotion ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |