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Pagina 155
In introversion for scientific phantasy it is true that we turn away from immediate environment , yet none the less we turn towards those parts of external reality of which the words are symbols . Ordinarily we see , hovering behind ...
In introversion for scientific phantasy it is true that we turn away from immediate environment , yet none the less we turn towards those parts of external reality of which the words are symbols . Ordinarily we see , hovering behind ...
Pagina 164
The novel uses words grammatically so as sharply to exclude all meanings and therefore all affective tones , except one clear piece of reality , and then derives the emotional content from this piece of reality and its active relation ...
The novel uses words grammatically so as sharply to exclude all meanings and therefore all affective tones , except one clear piece of reality , and then derives the emotional content from this piece of reality and its active relation ...
Pagina 166
In this way the emotional content does not float about Auidly in the mind ; it is firmly attached , by a hundred interweaving strands , to the manifest content - a piece of external reality . A poem's content is not just emotion , it is ...
In this way the emotional content does not float about Auidly in the mind ; it is firmly attached , by a hundred interweaving strands , to the manifest content - a piece of external reality . A poem's content is not just emotion , it is ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular pattern perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |