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Pagina 87
But it will , for this very reason , assume a character of generality that it cannot have when we apply it to ourselves . Settling on the surface , it will not be more than skin - deep , dealing with persons at the point at which they ...
But it will , for this very reason , assume a character of generality that it cannot have when we apply it to ourselves . Settling on the surface , it will not be more than skin - deep , dealing with persons at the point at which they ...
Pagina 131
For this reason he may believe that he is the only person who makes up such phantasies , without having any idea that everybody else tells themselves stories of the same kind . Daydreaming is a continuation of play , nevertheless , and ...
For this reason he may believe that he is the only person who makes up such phantasies , without having any idea that everybody else tells themselves stories of the same kind . Daydreaming is a continuation of play , nevertheless , and ...
Pagina 260
“ Those passions are themselves invisible : they are nevertheless let in by the eye along with colors and alterations of countenance , which are the immediate object of vision , and which signify them for no other reason than barely ...
“ Those passions are themselves invisible : they are nevertheless let in by the eye along with colors and alterations of countenance , which are the immediate object of vision , and which signify them for no other reason than barely ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York