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Pagina 87
But it will , for this very reason , assume a character of generality that it cannot
have when we apply it to ourselves . Settling on the surface , it will not be more
than skin - deep , dealing with persons at the point at which they come into
contact ...
But it will , for this very reason , assume a character of generality that it cannot
have when we apply it to ourselves . Settling on the surface , it will not be more
than skin - deep , dealing with persons at the point at which they come into
contact ...
Pagina 131
For this reason he may believe that he is the only person who makes up such
phantasies , without having any idea that everybody else tells themselves stories
of the same kind . Daydreaming is a continuation of play , nevertheless , and the
...
For this reason he may believe that he is the only person who makes up such
phantasies , without having any idea that everybody else tells themselves stories
of the same kind . Daydreaming is a continuation of play , nevertheless , and the
...
Pagina 191
environment is no longer , by reason of its variety , an enemy to the endurance of
the organism . The pattern of the higher organism has retreated into the recesses
of the individualized activity . It has become a uniform way of dealing with ...
environment is no longer , by reason of its variety , an enemy to the endurance of
the organism . The pattern of the higher organism has retreated into the recesses
of the individualized activity . It has become a uniform way of dealing with ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |