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Pagina xxvi
Every chord in a musical composition , every patch of color in a painting , every sound or image in a poem , attains its meaning and value in its context : it is infected through and through by its relations to the other elements and to ...
Every chord in a musical composition , every patch of color in a painting , every sound or image in a poem , attains its meaning and value in its context : it is infected through and through by its relations to the other elements and to ...
Pagina 228
And since . . . these relations are peculiar to certain qualitative aspects of sensuous material , we shall not expect to ... to a group of elements , then every one of these elements is related to every other by this same relation .
And since . . . these relations are peculiar to certain qualitative aspects of sensuous material , we shall not expect to ... to a group of elements , then every one of these elements is related to every other by this same relation .
Pagina 397
But it does not mean that the relation between the self and the object is broken to the extent of becoming " impersonal . " Of the alternatives " personal " and " imper- sonal " the latter surely comes nearer to the truth ; but here ...
But it does not mean that the relation between the self and the object is broken to the extent of becoming " impersonal . " Of the alternatives " personal " and " imper- sonal " the latter surely comes nearer to the truth ; but here ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |