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Pagina xxvi
Every chord in a musical composition , every patch of color in a painting , every sound or image in a poem , attains its meaning and value in its context : it is infected through and through by its relations to the other elements and to ...
Every chord in a musical composition , every patch of color in a painting , every sound or image in a poem , attains its meaning and value in its context : it is infected through and through by its relations to the other elements and to ...
Pagina 228
And since . . . these relations are peculiar to certain qualitative aspects of sensuous material , we shall not expect to ... to a group of elements , then every one of these elements is related to every other by this same relation .
And since . . . these relations are peculiar to certain qualitative aspects of sensuous material , we shall not expect to ... to a group of elements , then every one of these elements is related to every other by this same relation .
Pagina 397
But it does not mean that the relation between the self and the object is broken to the extent of becoming " impersonal . " Of the alternatives " personal " and " imper- sonal " the latter surely comes nearer to the truth ; but here ...
But it does not mean that the relation between the self and the object is broken to the extent of becoming " impersonal . " Of the alternatives " personal " and " imper- sonal " the latter surely comes nearer to the truth ; but here ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York