A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina xxvi
... relations to the other elements and to the whole . This implies that the distinction between form and content is relative : the content is the elements in relation , the form is the relation among the ele- ments , and the total work is ...
... relations to the other elements and to the whole . This implies that the distinction between form and content is relative : the content is the elements in relation , the form is the relation among the ele- ments , and the total work is ...
Pagina 228
... relation , then we must abstract such aspects of quality as are clearly relational , and survey the elements in the ... relation constituting a serial order has certain properties . If it applies to a group of elements , then every one ...
... relation , then we must abstract such aspects of quality as are clearly relational , and survey the elements in the ... relation constituting a serial order has certain properties . If it applies to a group of elements , then every one ...
Pagina 397
... relation between the self and the object is broken to the extent of becoming " impersonal . " Of the alternatives " personal " and " imper- sonal " the latter surely comes nearer to the truth ; but here , as elsewhere , we meet the ...
... relation between the self and the object is broken to the extent of becoming " impersonal . " Of the alternatives " personal " and " imper- sonal " the latter surely comes nearer to the truth ; but here , as elsewhere , we meet the ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York