Dall'interno del libro
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Pagina 88
I shall indicate the principal , or at least those that are the most important for us at
this present moment of our culture . It denies , above all , that art is a physical fact
: for example , certain determined colors , or relations of colors ; certain definite ...
I shall indicate the principal , or at least those that are the most important for us at
this present moment of our culture . It denies , above all , that art is a physical fact
: for example , certain determined colors , or relations of colors ; certain definite ...
Pagina 228
And since . . . these relations are peculiar to certain qualitative aspects of
sensuous material , we shall not expect to find them limited to the spatial or the
temporal merely . What is characteristic of color contrasts is not only that they are
spatially ...
And since . . . these relations are peculiar to certain qualitative aspects of
sensuous material , we shall not expect to find them limited to the spatial or the
temporal merely . What is characteristic of color contrasts is not only that they are
spatially ...
Pagina 307
To such people these relations have meaning and arouse keen emotions of
pleasure . And these people create such systems of formal relations and do not
sacrifice willingly or consciously anything of those formal relations to the arousing
of ...
To such people these relations have meaning and arouse keen emotions of
pleasure . And these people create such systems of formal relations and do not
sacrifice willingly or consciously anything of those formal relations to the arousing
of ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |