A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 54
Pagina xviii
... represented by other thinkers . Art , like every creative enterprise , is fluid and “ open , " and no tight definition will serve . But it is well to try to define what we are concerned with in this book - otherwise our ideas will be ...
... represented by other thinkers . Art , like every creative enterprise , is fluid and “ open , " and no tight definition will serve . But it is well to try to define what we are concerned with in this book - otherwise our ideas will be ...
Pagina 394
... represented spatial dis- tance , that is , the distance represented within the work . Less obvious , more metaphorical , is the meaning of temporal distance . The first was noticed already by Aristotle in his Poetics ; the second has ...
... represented spatial dis- tance , that is , the distance represented within the work . Less obvious , more metaphorical , is the meaning of temporal distance . The first was noticed already by Aristotle in his Poetics ; the second has ...
Pagina 507
... represented by the transcendentalists are very well reviewed in F. O. Matthieson , American Renais- sance . A different area and phase of American life are represented by Edgar Allan Poe's essays on poetry ( see especially " The Poetic ...
... represented by the transcendentalists are very well reviewed in F. O. Matthieson , American Renais- sance . A different area and phase of American life are represented by Edgar Allan Poe's essays on poetry ( see especially " The Poetic ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York